Each look is paired with notes on who it suits, how to style it, and how to keep it sharp between salon visits.
The pixie has been a quiet rebellion since the 1950s and it ages remarkably well. A short, close-cropped silhouette frees the neck, lifts the jawline and trades hours of styling for a confident, ready-to-wear shape that suits a fuller life.
The pixie has been a quiet rebellion since the 1950s and it ages remarkably well. A short, close-cropped silhouette frees the neck, lifts the jawline and trades hours of styling for a confident, ready-to-wear shape that suits a fuller life.
The pixie has been a quiet rebellion since the 1950s and it ages remarkably well. A short, close-cropped silhouette frees the neck, lifts the jawline and trades hours of styling for a confident, ready-to-wear shape that suits a fuller life.
The pixie has been a quiet rebellion since the 1950s and it ages remarkably well. A short, close-cropped silhouette frees the neck, lifts the jawline and trades hours of styling for a confident, ready-to-wear shape that suits a fuller life.
The pixie has been a quiet rebellion since the 1950s and it ages remarkably well. A short, close-cropped silhouette frees the neck, lifts the jawline and trades hours of styling for a confident, ready-to-wear shape that suits a fuller life.
The pixie has been a quiet rebellion since the 1950s and it ages remarkably well. A short, close-cropped silhouette frees the neck, lifts the jawline and trades hours of styling for a confident, ready-to-wear shape that suits a fuller life.
The pixie has been a quiet rebellion since the 1950s and it ages remarkably well. A short, close-cropped silhouette frees the neck, lifts the jawline and trades hours of styling for a confident, ready-to-wear shape that suits a fuller life.
The pixie has been a quiet rebellion since the 1950s and it ages remarkably well. A short, close-cropped silhouette frees the neck, lifts the jawline and trades hours of styling for a confident, ready-to-wear shape that suits a fuller life.
The pixie has been a quiet rebellion since the 1950s and it ages remarkably well. A short, close-cropped silhouette frees the neck, lifts the jawline and trades hours of styling for a confident, ready-to-wear shape that suits a fuller life.
The pixie has been a quiet rebellion since the 1950s and it ages remarkably well. A short, close-cropped silhouette frees the neck, lifts the jawline and trades hours of styling for a confident, ready-to-wear shape that suits a fuller life.
The pixie has been a quiet rebellion since the 1950s and it ages remarkably well. A short, close-cropped silhouette frees the neck, lifts the jawline and trades hours of styling for a confident, ready-to-wear shape that suits a fuller life.
The pixie has been a quiet rebellion since the 1950s and it ages remarkably well. A short, close-cropped silhouette frees the neck, lifts the jawline and trades hours of styling for a confident, ready-to-wear shape that suits a fuller life.
The bob is the most reliable short cut in the book. A clean line just above or below the jaw frames the face, slims the neck, and reads as both classic and modern depending on how the ends are finished.
The bob is the most reliable short cut in the book. A clean line just above or below the jaw frames the face, slims the neck, and reads as both classic and modern depending on how the ends are finished.
The bob is the most reliable short cut in the book. A clean line just above or below the jaw frames the face, slims the neck, and reads as both classic and modern depending on how the ends are finished.
The bob is the most reliable short cut in the book. A clean line just above or below the jaw frames the face, slims the neck, and reads as both classic and modern depending on how the ends are finished.
The bob is the most reliable short cut in the book. A clean line just above or below the jaw frames the face, slims the neck, and reads as both classic and modern depending on how the ends are finished.
The bob is the most reliable short cut in the book. A clean line just above or below the jaw frames the face, slims the neck, and reads as both classic and modern depending on how the ends are finished.
The bob is the most reliable short cut in the book. A clean line just above or below the jaw frames the face, slims the neck, and reads as both classic and modern depending on how the ends are finished.
The bob is the most reliable short cut in the book. A clean line just above or below the jaw frames the face, slims the neck, and reads as both classic and modern depending on how the ends are finished.
The bob is the most reliable short cut in the book. A clean line just above or below the jaw frames the face, slims the neck, and reads as both classic and modern depending on how the ends are finished.
The bob is the most reliable short cut in the book. A clean line just above or below the jaw frames the face, slims the neck, and reads as both classic and modern depending on how the ends are finished.
The bob is the most reliable short cut in the book. A clean line just above or below the jaw frames the face, slims the neck, and reads as both classic and modern depending on how the ends are finished.
The bob is the most reliable short cut in the book. A clean line just above or below the jaw frames the face, slims the neck, and reads as both classic and modern depending on how the ends are finished.
A long bob, or lob, hits at the collarbone and offers the structure of a bob with the versatility of longer hair. Women in their 50s and beyond often gravitate to it because it can be tucked, pinned, or waved without the upkeep of true long hair.
A long bob, or lob, hits at the collarbone and offers the structure of a bob with the versatility of longer hair. Women in their 50s and beyond often gravitate to it because it can be tucked, pinned, or waved without the upkeep of true long hair.
A long bob, or lob, hits at the collarbone and offers the structure of a bob with the versatility of longer hair. Women in their 50s and beyond often gravitate to it because it can be tucked, pinned, or waved without the upkeep of true long hair.
A long bob, or lob, hits at the collarbone and offers the structure of a bob with the versatility of longer hair. Women in their 50s and beyond often gravitate to it because it can be tucked, pinned, or waved without the upkeep of true long hair.
A long bob, or lob, hits at the collarbone and offers the structure of a bob with the versatility of longer hair. Women in their 50s and beyond often gravitate to it because it can be tucked, pinned, or waved without the upkeep of true long hair.
A long bob, or lob, hits at the collarbone and offers the structure of a bob with the versatility of longer hair. Women in their 50s and beyond often gravitate to it because it can be tucked, pinned, or waved without the upkeep of true long hair.
A long bob, or lob, hits at the collarbone and offers the structure of a bob with the versatility of longer hair. Women in their 50s and beyond often gravitate to it because it can be tucked, pinned, or waved without the upkeep of true long hair.
A long bob, or lob, hits at the collarbone and offers the structure of a bob with the versatility of longer hair. Women in their 50s and beyond often gravitate to it because it can be tucked, pinned, or waved without the upkeep of true long hair.
A long bob, or lob, hits at the collarbone and offers the structure of a bob with the versatility of longer hair. Women in their 50s and beyond often gravitate to it because it can be tucked, pinned, or waved without the upkeep of true long hair.
A long bob, or lob, hits at the collarbone and offers the structure of a bob with the versatility of longer hair. Women in their 50s and beyond often gravitate to it because it can be tucked, pinned, or waved without the upkeep of true long hair.
A long bob, or lob, hits at the collarbone and offers the structure of a bob with the versatility of longer hair. Women in their 50s and beyond often gravitate to it because it can be tucked, pinned, or waved without the upkeep of true long hair.
A long bob, or lob, hits at the collarbone and offers the structure of a bob with the versatility of longer hair. Women in their 50s and beyond often gravitate to it because it can be tucked, pinned, or waved without the upkeep of true long hair.
A crop is shorter than a pixie at the nape but keeps a little length on top — a sharp, architectural shape that flatters strong cheekbones and works beautifully with a deliberate gray.
A crop is shorter than a pixie at the nape but keeps a little length on top — a sharp, architectural shape that flatters strong cheekbones and works beautifully with a deliberate gray.
A crop is shorter than a pixie at the nape but keeps a little length on top — a sharp, architectural shape that flatters strong cheekbones and works beautifully with a deliberate gray.
A crop is shorter than a pixie at the nape but keeps a little length on top — a sharp, architectural shape that flatters strong cheekbones and works beautifully with a deliberate gray.
A crop is shorter than a pixie at the nape but keeps a little length on top — a sharp, architectural shape that flatters strong cheekbones and works beautifully with a deliberate gray.
A crop is shorter than a pixie at the nape but keeps a little length on top — a sharp, architectural shape that flatters strong cheekbones and works beautifully with a deliberate gray.
A crop is shorter than a pixie at the nape but keeps a little length on top — a sharp, architectural shape that flatters strong cheekbones and works beautifully with a deliberate gray.
A crop is shorter than a pixie at the nape but keeps a little length on top — a sharp, architectural shape that flatters strong cheekbones and works beautifully with a deliberate gray.
A crop is shorter than a pixie at the nape but keeps a little length on top — a sharp, architectural shape that flatters strong cheekbones and works beautifully with a deliberate gray.
A crop is shorter than a pixie at the nape but keeps a little length on top — a sharp, architectural shape that flatters strong cheekbones and works beautifully with a deliberate gray.
A crop is shorter than a pixie at the nape but keeps a little length on top — a sharp, architectural shape that flatters strong cheekbones and works beautifully with a deliberate gray.
A crop is shorter than a pixie at the nape but keeps a little length on top — a sharp, architectural shape that flatters strong cheekbones and works beautifully with a deliberate gray.
The shag is a heavily layered, slightly undone cut with a built-in fringe. It re-emerges every decade because it adds movement to flat hair and softens features without looking fussy.
The shag is a heavily layered, slightly undone cut with a built-in fringe. It re-emerges every decade because it adds movement to flat hair and softens features without looking fussy.
The shag is a heavily layered, slightly undone cut with a built-in fringe. It re-emerges every decade because it adds movement to flat hair and softens features without looking fussy.
The shag is a heavily layered, slightly undone cut with a built-in fringe. It re-emerges every decade because it adds movement to flat hair and softens features without looking fussy.
The shag is a heavily layered, slightly undone cut with a built-in fringe. It re-emerges every decade because it adds movement to flat hair and softens features without looking fussy.
The shag is a heavily layered, slightly undone cut with a built-in fringe. It re-emerges every decade because it adds movement to flat hair and softens features without looking fussy.
The shag is a heavily layered, slightly undone cut with a built-in fringe. It re-emerges every decade because it adds movement to flat hair and softens features without looking fussy.
The shag is a heavily layered, slightly undone cut with a built-in fringe. It re-emerges every decade because it adds movement to flat hair and softens features without looking fussy.
The shag is a heavily layered, slightly undone cut with a built-in fringe. It re-emerges every decade because it adds movement to flat hair and softens features without looking fussy.
The shag is a heavily layered, slightly undone cut with a built-in fringe. It re-emerges every decade because it adds movement to flat hair and softens features without looking fussy.
The shag is a heavily layered, slightly undone cut with a built-in fringe. It re-emerges every decade because it adds movement to flat hair and softens features without looking fussy.
The shag is a heavily layered, slightly undone cut with a built-in fringe. It re-emerges every decade because it adds movement to flat hair and softens features without looking fussy.
A modern bowl cut is nothing like the childhood version — today it's a rounded, blunt silhouette with a strong perimeter that turns gray hair into a graphic, almost couture statement.
A modern bowl cut is nothing like the childhood version — today it's a rounded, blunt silhouette with a strong perimeter that turns gray hair into a graphic, almost couture statement.
A modern bowl cut is nothing like the childhood version — today it's a rounded, blunt silhouette with a strong perimeter that turns gray hair into a graphic, almost couture statement.
A modern bowl cut is nothing like the childhood version — today it's a rounded, blunt silhouette with a strong perimeter that turns gray hair into a graphic, almost couture statement.
A modern bowl cut is nothing like the childhood version — today it's a rounded, blunt silhouette with a strong perimeter that turns gray hair into a graphic, almost couture statement.
A modern bowl cut is nothing like the childhood version — today it's a rounded, blunt silhouette with a strong perimeter that turns gray hair into a graphic, almost couture statement.
A modern bowl cut is nothing like the childhood version — today it's a rounded, blunt silhouette with a strong perimeter that turns gray hair into a graphic, almost couture statement.
A modern bowl cut is nothing like the childhood version — today it's a rounded, blunt silhouette with a strong perimeter that turns gray hair into a graphic, almost couture statement.
A modern bowl cut is nothing like the childhood version — today it's a rounded, blunt silhouette with a strong perimeter that turns gray hair into a graphic, almost couture statement.
A modern bowl cut is nothing like the childhood version — today it's a rounded, blunt silhouette with a strong perimeter that turns gray hair into a graphic, almost couture statement.
A modern bowl cut is nothing like the childhood version — today it's a rounded, blunt silhouette with a strong perimeter that turns gray hair into a graphic, almost couture statement.
A modern bowl cut is nothing like the childhood version — today it's a rounded, blunt silhouette with a strong perimeter that turns gray hair into a graphic, almost couture statement.
Short layered cuts use graduated lengths to put weight where you want it and remove it where you don't. The result is volume on top, softness around the face, and a shape that grows out gracefully.
Short layered cuts use graduated lengths to put weight where you want it and remove it where you don't. The result is volume on top, softness around the face, and a shape that grows out gracefully.
Short layered cuts use graduated lengths to put weight where you want it and remove it where you don't. The result is volume on top, softness around the face, and a shape that grows out gracefully.
Short layered cuts use graduated lengths to put weight where you want it and remove it where you don't. The result is volume on top, softness around the face, and a shape that grows out gracefully.
Short layered cuts use graduated lengths to put weight where you want it and remove it where you don't. The result is volume on top, softness around the face, and a shape that grows out gracefully.
Short layered cuts use graduated lengths to put weight where you want it and remove it where you don't. The result is volume on top, softness around the face, and a shape that grows out gracefully.
Short layered cuts use graduated lengths to put weight where you want it and remove it where you don't. The result is volume on top, softness around the face, and a shape that grows out gracefully.
Short layered cuts use graduated lengths to put weight where you want it and remove it where you don't. The result is volume on top, softness around the face, and a shape that grows out gracefully.
Short layered cuts use graduated lengths to put weight where you want it and remove it where you don't. The result is volume on top, softness around the face, and a shape that grows out gracefully.
Short layered cuts use graduated lengths to put weight where you want it and remove it where you don't. The result is volume on top, softness around the face, and a shape that grows out gracefully.
Short layered cuts use graduated lengths to put weight where you want it and remove it where you don't. The result is volume on top, softness around the face, and a shape that grows out gracefully.
Short layered cuts use graduated lengths to put weight where you want it and remove it where you don't. The result is volume on top, softness around the face, and a shape that grows out gracefully.
Asymmetrical cuts break the rule of matching sides on purpose. One side is tucked short and clean, the other sweeps longer past the jaw — a quiet way to look modern without doing anything drastic.
Asymmetrical cuts break the rule of matching sides on purpose. One side is tucked short and clean, the other sweeps longer past the jaw — a quiet way to look modern without doing anything drastic.
Asymmetrical cuts break the rule of matching sides on purpose. One side is tucked short and clean, the other sweeps longer past the jaw — a quiet way to look modern without doing anything drastic.
Asymmetrical cuts break the rule of matching sides on purpose. One side is tucked short and clean, the other sweeps longer past the jaw — a quiet way to look modern without doing anything drastic.
Asymmetrical cuts break the rule of matching sides on purpose. One side is tucked short and clean, the other sweeps longer past the jaw — a quiet way to look modern without doing anything drastic.
Asymmetrical cuts break the rule of matching sides on purpose. One side is tucked short and clean, the other sweeps longer past the jaw — a quiet way to look modern without doing anything drastic.
Asymmetrical cuts break the rule of matching sides on purpose. One side is tucked short and clean, the other sweeps longer past the jaw — a quiet way to look modern without doing anything drastic.
Asymmetrical cuts break the rule of matching sides on purpose. One side is tucked short and clean, the other sweeps longer past the jaw — a quiet way to look modern without doing anything drastic.
Asymmetrical cuts break the rule of matching sides on purpose. One side is tucked short and clean, the other sweeps longer past the jaw — a quiet way to look modern without doing anything drastic.
Asymmetrical cuts break the rule of matching sides on purpose. One side is tucked short and clean, the other sweeps longer past the jaw — a quiet way to look modern without doing anything drastic.
Asymmetrical cuts break the rule of matching sides on purpose. One side is tucked short and clean, the other sweeps longer past the jaw — a quiet way to look modern without doing anything drastic.
Asymmetrical cuts break the rule of matching sides on purpose. One side is tucked short and clean, the other sweeps longer past the jaw — a quiet way to look modern without doing anything drastic.
A subtle undercut tucked beneath longer top layers gives short hair lift and removes weight from thick or coarse hair. It is one of the best-kept secrets for women who want a low-maintenance style with hidden edge.
A subtle undercut tucked beneath longer top layers gives short hair lift and removes weight from thick or coarse hair. It is one of the best-kept secrets for women who want a low-maintenance style with hidden edge.
A subtle undercut tucked beneath longer top layers gives short hair lift and removes weight from thick or coarse hair. It is one of the best-kept secrets for women who want a low-maintenance style with hidden edge.
A subtle undercut tucked beneath longer top layers gives short hair lift and removes weight from thick or coarse hair. It is one of the best-kept secrets for women who want a low-maintenance style with hidden edge.
A subtle undercut tucked beneath longer top layers gives short hair lift and removes weight from thick or coarse hair. It is one of the best-kept secrets for women who want a low-maintenance style with hidden edge.
A subtle undercut tucked beneath longer top layers gives short hair lift and removes weight from thick or coarse hair. It is one of the best-kept secrets for women who want a low-maintenance style with hidden edge.
A subtle undercut tucked beneath longer top layers gives short hair lift and removes weight from thick or coarse hair. It is one of the best-kept secrets for women who want a low-maintenance style with hidden edge.
A subtle undercut tucked beneath longer top layers gives short hair lift and removes weight from thick or coarse hair. It is one of the best-kept secrets for women who want a low-maintenance style with hidden edge.
A subtle undercut tucked beneath longer top layers gives short hair lift and removes weight from thick or coarse hair. It is one of the best-kept secrets for women who want a low-maintenance style with hidden edge.
A subtle undercut tucked beneath longer top layers gives short hair lift and removes weight from thick or coarse hair. It is one of the best-kept secrets for women who want a low-maintenance style with hidden edge.
A subtle undercut tucked beneath longer top layers gives short hair lift and removes weight from thick or coarse hair. It is one of the best-kept secrets for women who want a low-maintenance style with hidden edge.
A subtle undercut tucked beneath longer top layers gives short hair lift and removes weight from thick or coarse hair. It is one of the best-kept secrets for women who want a low-maintenance style with hidden edge.
A modern bowl cut is nothing like the childhood version — today it's a rounded, blunt silhouette with a strong perimeter that turns gray hair into a graphic, almost couture statement.
A crop is shorter than a pixie at the nape but keeps a little length on top — a sharp, architectural shape that flatters strong cheekbones and works beautifully with a deliberate gray.
The pixie has been a quiet rebellion since the 1950s and it ages remarkably well. A short, close-cropped silhouette frees the neck, lifts the jawline and trades hours of styling for a confident, ready-to-wear shape that suits a fuller life.